Goldstein Site
The Goldstein site had a number of duel qualities which would ordinarily seem to contradict, however in this particular context seemed to work in unison to create a new space.
Despite being an external space it maintained a internal quality. This was furthered by the juxtoposition of the man-made vs natural and seeming blurring of boudries between these such as the natural hedges cut into rectangular- artificial shapes or the man-made drains so covered in moss that they looked organic.
Our work reflected this in its ambiguity. Each layer of the work highlited a different aspect of the built vs natural dualities. The work is very solid- and had a brick like quality and a tangibility, this alludes to the prominent brick structures at Goldstein site and the built aspect to it. However, the work also has a lightness to it due to its delicate etchings and transparent nature, emphasising the whimsical qualities of Goldstein site. Like the boundries blurred in the site the work too changes depending on the context in which you view it, when held to the light, viewed in the dark or observing the shaddows a very different feel is exuded.
Despite being an external space it maintained a internal quality. This was furthered by the juxtoposition of the man-made vs natural and seeming blurring of boudries between these such as the natural hedges cut into rectangular- artificial shapes or the man-made drains so covered in moss that they looked organic.
Our work reflected this in its ambiguity. Each layer of the work highlited a different aspect of the built vs natural dualities. The work is very solid- and had a brick like quality and a tangibility, this alludes to the prominent brick structures at Goldstein site and the built aspect to it. However, the work also has a lightness to it due to its delicate etchings and transparent nature, emphasising the whimsical qualities of Goldstein site. Like the boundries blurred in the site the work too changes depending on the context in which you view it, when held to the light, viewed in the dark or observing the shaddows a very different feel is exuded.
Semester Two
Communications- Workshop One
StoryBoarding: (re)presenting representations.
In this workshop we explored the ways in which a site could be represented especially the differences in 2D and 3D representation and the communication of an experience or feel that the site generated.
Our work dealt with perspective and the way in which a 3D perspective could be gained from planar elements, the perspex layers. Each layer when viewed individually seemed flat however when viewed together created the allusion of depth.
This workshop challenged our perceptions of architectural communication and forced us to think beyond the ordinary.
StoryBoarding: (re)presenting representations.
In this workshop we explored the ways in which a site could be represented especially the differences in 2D and 3D representation and the communication of an experience or feel that the site generated.
Our work dealt with perspective and the way in which a 3D perspective could be gained from planar elements, the perspex layers. Each layer when viewed individually seemed flat however when viewed together created the allusion of depth.
This workshop challenged our perceptions of architectural communication and forced us to think beyond the ordinary.
http://sketchup.google.com/3dwarehouse/details?mid=3c3e92e378c9422530d22670e98c42&result=4
http://www.filefront.com/16756955/Exp3.mtl
http://www.filefront.com/16756985/library.mtl
http://www.filefront.com/16756955/Exp3.mtl
http://www.filefront.com/16756985/library.mtl
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